A Formerly Feral Kitty Finds Her Place: Sunday Morning
Moses made it back upstairs after breakfast before I had a chance to make the bed, and I didn’t have the heart to move her. So I got a sheet of drawing paper and my pastels and did a quick sketch of the scene, finishing it later from a photograph.
It was a pleasure to work in a looser style and just to catch the mood and all that wonderful winter light filling the ruffled batiste curtains through the east and south facing windows, sweet Moses being bold out in the open on the bed.
Look at the date: 1989, very early on in my career. I knew of one kind of pastel drawing paper and had cheap pastels and colored chalk, not sure whether I should make the investment in “real” pastels, and I had my cats. I guess that was all I needed. Now, years later, it’s a marvel to look at what I did with so little experience—if I did this as a daily sketch today I’d be glowing with pride and thrilled to share it. I also have this memory of a house I moved from long ago, and a happy scene with gentle little Moses that conveys more than the photograph ever could. Though no one but me would recognize her, I know this signifies a new confidence Moses had grown to feel that year, two years after she’d come to me, and that would grow slowly, slowly over the next 17 years.
I had already worked myself to deeply realistic skill with “Waiting for Mom”, and was then relaxing a little and experimenting with a looser style. As I had worked my way through media from pencil to ink to acrylic, oil and pastel, I had often adopted this “outline” style, and for the longest time no sketch or painting looked finished to me without it. When I sketched, then painted, my cats, I actively worked to break away from it and finally did, so it was nice to revisit in this painting. I used the texture of the Canson paper to blend my colors into and onto, letting the texture build the midrange tones where two colors mix together, yet leaving the edges soft in the sketch and giving them a soft definition with black vine charcoal. I’ve done this in some of my daily sketches as well, and also used colors other than black to define the edges.
Moses watches over my easel in the corner of my studio, and I continue to draw inspiration from her, the moment and the style, with all the work I do.
Where to find this artwork
I offer giclée, digital and canvas prints of this painting, and can always have prints made for you in other sizes. I can also custom frame your print or custom cut a mat for a frame you already own.
This image is also available in my set of Feline Greetings Art Cards. You can also purchase a single card or a dozen in a box on my website, and I’d be glad to make up a special box for you, just ask.
Click the links below to find more.
If you’d like to read more about artwork as I develop it, about my current portraits and at assignments and even historic portraits and paintings, each week I feature a piece of artwork on Wednesday and a new product on Thursday. Choose the category for featured artwork.
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All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.
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