Above is a hand-printed linoleum block print tinted in tortie colors featuring my Cookie, who was indeed “The Goddess”. From the very first time I showed the design to someone, and each time I set up a display where the prints are included someone, or several, stops by to tell me about a cat they have “who looks just like that”, and tell me stories and share a laugh. People often tell me stories when they purchase prints as well. The number of them who were rescued always warms my heart.
A customer ordered a print of “Dinnertime” along with an unframed hand-tinted print of “The Goddess” last week. I told her the story of Cookie and she told me the story of Tasha, below.
“I just purchased both of them as an anniversary present for my husband. I really like all your art work, but decided on those two because (1)We have three cats and (2)my husband’s baby is a fat (one-eyed, formerly feral) tortie . . . My husband rescued Tasha (tortie) when she was six weeks old. He was working on a job site near a dairy barn in 2003 and found her — she was really sick with a herpes infection in her right eye. We took her to the vet and she recovered immediately after getting care (although she lost the sight in that eye), and we’ve had her ever since. She has never wanted to go outside again . . . We have two other rescue males, but she’s the queen of the house (most of the time!) and has my husband wrapped around her little paw 🙂 . . . All the best and thanks so much for rescuing Cookie and other kitties . . .”
Now there’s a cat guy! He gets a print of a tortie and three cats eating for his anniversary present, reminiscent of the cat he rescued. I love knowing my girls have a share of immortality when their prints go off to live in other homes and celebrate other tortie cats. You can also read a list of other tortie stories I’ve collected at shows and festivals when people see “The Goddess” especially in “The Goddess Truly Inspires” and “The Artist’s Life: Still Inspiring” as well as “Featured Artwork: The Roundest Eyes”.
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About my Tortie Girls linoleum block prints
Well, everyone knows a fat cat who knows she’s beautiful, and Cookie would tell you that a woman with a round shape was once most desirable and an object of worship.
More often than anything else in my collection of feline art, these two prints have been purchased in memory of a special tortie. I’ve even customized prints in memory of other torties by hand-tinting them using photos, and dedicated them to the memory of other kitties by lettering their name in underneath; read this post for more on those stories.
Three years ago a customer in Canada purchased a print of “The Goddess” in memory of her tortie Clio, ill and malnourished and rescued from a pet store, which led to a friendship—and a very famous affaire between her ladycat Mademoiselle Daisy Emerald and my opera star Giuseppe Basil Verdi. Today, May 15, we remember Clio especially as her mama said goodbye to Clio 13 years ago on this day, and because she was so bereft at the loss, she found herself a month later at the Toronto Humane Society where she met and adopted the elegant Mademoiselle.
How the designs came to be
As you know, I am unendingly inspired by my houseful of felines, especially my Tortie Girls. I initially designed these in 2001 because I wanted something I could print myself on a variety of things to offer inexpensively for sale and for donation; at the time high quality home printers and inexpensive digital printing were a few years in the future and all I had to offer was original art and expensive giclees.
Unlike many of the other prints I sell, I print these by hand from a hand-cut linoleum block, then each print is hand-painted in watercolor, and with the slight variations in the printing process and the individualized coloration each print is just as unique as torties themselves. “The Goddess”, featuring Cookie, is the other print in this set, and I have more information on her, below.
What enchanted me first about block prints years ago, and what I wanted most to see when I began creating with them, was the clarity of black ink on white rice paper. While I often use other colors of ink and types of paper, and when the image is my tortie girls, usually also tinted with oranges and yellows and green for their eyes, pink for nose as I had designed, the black on white is what I usually return to.
When I initially print these two they are that familiar black ink on white, and I watch the ink reveal all the cuts and trims I made on the surface of the block to create their image, it makes me smile as I remember designing the prints and cutting the blocks, and I remember my girls and the inspiration they gave me.
“The Goddess” came along first and I actually have photos of the process, but I knew right away she’d have to have a companion print.
I looked at Cookie on the kitchen floor, on her back with her toes curled, a defiant look on her face, and it happened—that moment of visualization. I could see a linoleum block print in black ink on white rice paper, hand-tinted with oranges and yellows for the patches in Cookie’s tortoiseshell fur and green for her eyes and pink for her nose. I would call the print “The Goddess” for the many women depicted with generous figures in sculpture and painting through the millennia.
Compare the photo and the print:
From the time I first described the idea to someone, who chuckled at the idea of the image, I knew Cookie was a winner. And through the years she has continued to bring people and stories to my display no matter where I am—everyone knows a cat who looks like Cookie!
Cookie inspired not only a design, but a particular style and technique and a new element to my creative life and my merchandise. With an inspiration that strong, I probably would have done it anyway, but I had other reasons as well. In the late 1990s having my sketches and paintings reproduced was still expensive and not always successful and I wanted artwork that I could reproduce easily and inexpensively myself so that I could have something more affordable than original artwork to sell in my displays.
I’d worked with small linoleum block prints for years and always enjoyed the medium, but this time I decided I wanted something larger and I might actually create a series—which led to “The Roundest Eyes” depicting my other tortie, Kelly, a few months later. Between the two, Cookie gets more notice and stories, but Kelly sells more t-shirts and prints…we just never let Cookie know that.
Capturing all Cookie’s freckles and spots and stripes was indeed a challenge, especially when I went to actually cut them out of the surface of the linoleum block.
Cookie’s face in closeup from the photo:
Cookie’s face in the block:
And here is Cookie’s face, printed and colored!
The Roundest Eyes
In designing the set, I didn’t have a signature photo of Kelly as I did Cookie lying on the floor, but I did know how I thought of Kelly—sitting at attention, paws and tail neatly placed, a little uncertain and with very round eyes. When I pictured her, this was what I saw.
I began with a few photos of Kelly sitting in this position—in the days before digitals so I had to wait for film to be developed—sketched it out, then filled in the details by observation. It was a real trick since Kelly never sits still for too long. And I actually wanted two different orientations so Cookie was the horizontal image and Kelly the vertical one.
The design of “The Roundest Eyes” doesn’t have a long and detailed story as does “The Goddess”, but between the two, while Cookie gets more notice and stories which I’ve collected over the years, Kelly sells more t-shirts and prints…we just never let Cookie know that. Last year a young couple just getting engaged purchased one of each shirt to wear in their engagement photos too!
You can read more about “The Roundest Eyes” and see more detailed images in “Featured Artwork: The Roundest Eyes”.
A little bit about block printing
I really enjoy working in this medium and I can free myself from the traditional media and a greater realism in rendering. Linoleum block printing is a technique wherein the artist carves the surface of a piece of artist’s linoleum, leaving raised areas which will become the image. Ink is rolled onto these raised areas, then a piece of paper is pressed against the block and when it’s lifted away the ink remains, leaving the image on the paper.
Despite the fact I’ve been trying to video a little block print demonstration, all I have are a few photos taken as I was printing the “Tabbies” cards for Valentine’s Day last year. Here’s a brief slideshow:
The resulting work isn’t a one-time thing, but meant to be printed multiple times–and I do, on just about anything I can think of. They all start out on paper, but they’ve been printed on t-shirts and dresses and aprons and curtains, to name a few things. I nearly always add color to The Tortie Girls with watercolor or dyes since that was part of the original design, and I’ll often add color to other designs to give them extra interest.
Because of the nature of the medium, each print is unique and ink coverage is not always perfect. Most artists consider this random activity to be part of the process of creating an individualized print, and along with the hand-painting makes a unique work of art.
The Tortie Girls Set
Each image is 9″ x 12″, with mat and frame outside dimensions are 16″ x 20″, and I also offer the tortie girls designs on many other things.
Well, everyone knows a fat cat who knows she’s beautiful, and Cookie would tell you that a woman with a round shape was once most desirable and an object of worship. That’s why I call her “The Goddess”.
From the time I first described it to someone, who chuckled at the idea of the image, I knew Cookie was a winner. And through the years she has continued to bring people and stories to my display no matter where I am—everyone knows a cat who looks like Cookie!
“The Roundest Eyes”
Sometimes when I look at Kelly the only feature I can distinguish in all those tortie markings is her extremely round eyes.
Where to find the prints and more
Click here if you’d like to see all the Tortie Girls goods in my Etsy shop together.
If you’d like to read more about artwork as I develop it, about my current portraits and at assignments and even historic portraits and paintings, each week I feature a piece of artwork on Wednesday and a new product on Thursday. Choose the category for featured artwork.
Find out about events and festivals where you can find me and my work.
Sign up for my e-newsletter (below), check the widget on the sidebar on my home page, or sign up to receive posts on Portraits of Animals Marketplace. I plan on plenty of events this coming summer in the Pittsburgh area.
Once a week on Thursday I feature something new in my “shop”, whether that’s here on The Creative Cat, in my Etsy shop, on my main website or even at one of the bricks and mortar shops that carry my work.
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All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.
© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski
Weekly schedule of features:
Sunday: Essays, Pet Loss, Poetry, The Artist’s Life
Monday: Adoptable Cats, TNR & Shelters
Tuesday: Rescue Stories
Wednesday: Commissioned Portrait or Featured Artwork
Thursday: New Merchandise
Friday: Book Review, Health and Welfare, Advocacy
Saturday: Your Backyard Wildlife Habitat, Living Green With Pets, Creating With Cats
And sometimes, I just throw my hands in the air and have fun!