I’ve always loved the way Sooty’s portrait looked, the horizontal layout and simple composition, clear and contrasting colors. In my portfolio of portraits Sooty’s was admired by many, and when I had visualized the Great Rescues calendar and day book series over ten years ago, Sooty’s portrait was one of the first that came to mind.
You can read the story of Sooty’s rescue in yesterday’s post, but in brief he was a full-bred chinchilla Persian who had been abandoned when an engaged couple broke up and he found himself living in a garage with a person who hoped he’d be hit by a car. He filled a very special spot in the lives of the couple who eventually adopted him.
We looked at a few photos, but this one of Sooty, both his posture and demeanor, was perfect and the three of us knew it, even as Sooty quietly observed our process in much the same position. He was so calm and relaxed I managed to get detail shots of his face, especially his blue-green eyes.
Sooty was in his teens when I met him in the 90s, and he’d been bred so long ago that his Persian face looks little like the Persian cats I meet today. His nose is shorter than the usual cat nose, but not as deep-set as that of modern Persians.
I love the hair between long-haired cats’ toes, but Sooty’s was exceptional—it was so long his paws looked like little dust mops and I remember us joking about it, but when I was painting the portrait I remember questioning myself even though I’d seen it right there on his paws and taken the photos. It wasn’t helped by the contrast between pale silver fur and deep charcoal gray fur that made it look as if it had been attached.
His fur itself was beautifully unique, each long guard hair ending in a short black tip which gave him the ashy sort of look that led to his name. He had wonderful eyeliner and even his nose was outlined, and most endearing of all his whiskers were black. But that field of fur along his sides and back had so much detail that I got all lost in drawing it.
The background in a portrait like this is a style I developed myself over the years for portraits where there was just a color and no particular object or surface. I base the predominant color on one that complements the subject well and is possibly a color in the subject itself; see Nick where I used the blue from his eyes. In Sooty’s case I looked around the room where the portrait would hang and at Sooty’s cool silver fur, and then at his terra cotta nose and knew that was the color. As you can see in front of him I’ve added a few “wrinkles” as if the background is a cloth, but you can see in the upper left that I’ve mimicked the entrance of a light source from the left and used an olive green shading lighter to a yellowish shade as if it’s sunlight on a wall.
I usually frame my portraits in custom mats and molding per my customer. To finish it off, I used a deeper soft terra cotta top mat and silver gray bottom mat, both black core to gently coordinate with Sooty’s eyeliner and other charcoal trim, and a simple wood frame with a brushed silver finish that captured his fur. You can tell his portrait is still one of my favorites nearly 20 years later. Sooty is even included in the brochure I designed and still use today; click the link below.
If you’d like to read more about artwork as I develop it, about my current portraits and at assignments and even historic portraits and paintings, each week I feature a piece of artwork on Wednesday and a new product on Thursday. Choose the category for featured artwork.
Sooty is one of the rescued cats in my Great Rescues Day Book, an undated monthly journal to record the dates of birthdays, anniversaries and events featuring sixteen of my commissioned portraits of rescued cats along with their rescue stories.
This book is built from Great Rescues Calendar and Gift Book, the original 16-month calendar published in 2011 to inaugurate my series of rescue stories related to the portraits I’ve painted over the years.
Click here or on the image of the book at left, or either of the links above to read more.
Also, read more about Great Rescues families, those who appear in each of the two volumes so far. I’ll be featuring one story each month corresponding with the portrait that appears in the book for that month. That means there are four extra, and I’ll slip those in when the story itself feels appropriate.
Take a look at other portraits and read other stories
Read articles here on The Creative Cat featuring current and past commissioned portraits.
Read about how I create commissioned portraits.
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Visit my website to see portraits of my cats, commissioned cats, commissioned dogs, people and a demonstration of how I put a portrait together from photos.
Download a Brochure
My brochure is an 8.5″ x 11″ two-page full-color PDF that half-folds when it’s all printed out, showing examples of portraits with an explanation of my process and basic costs.
Purchase a Gift Certificate
I offer gift certificates for portraits in any denomination beginning at $125.00, which is the basic cost of a portrait; the recipient is responsible for any amount the portrait costs over $125.00.
The certificate itself is 8.5″ x 11″ and features a collage of portrait images with the recipient’s and giver’s names, printed on parchment cover stock. The whole thing is packaged in a pocket folder and includes a brochure, a letter from me to the recipient and several business cards.The certificate package can be easily mailed or wrapped as a gift and shipped directly to your recipient.
I can also make it downloadable if you’re in a hurry.
Portrait certificates are a minimum of $125.00 because that is the minimum cost of a portrait.
Certificates are good for up to one year after issue.
You can purchase gift certificates here or from my Etsy shop if you are also purchasing other animal-inspired merchandise.
You only need to enter an address if it is different from the address I’ll receive through PayPal. These are often surprise gifts and need to be shipped away from the home address to make sure they are a surprise.
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Browse some rescued cats and kittens!
All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.