Featured Artwork: Calico Cat Mysteries Book 8, “Giddy-Up Olivia”
The Klepto Cat main chat-aracter Rags rode a horse in one of his books, so Olivia gets a chance too—giddy-up, Olivia! She and her family are traveling from California to Texas, not on horseback, but the opportunity is still there. Patricia provided a photo of Olivia that she thought might work, and it did work just fine, and described a roan horse named Ginger. For loving to paint animals as I do, this was a total joy, two beautiful animals.
So there you are, a calico cat riding a horse. And that is one might nice horse to have a cat riding on her head and just going along with it. I chose to add a ranchland background with lots of flat and just slightly hilly areas and a few windbreak trees that make me think of Texas.
Here’s the synopsis of Giddy-Up Olivia:
Olivia flaunts her inner cowgirl.
In this story, Olivia teams up with an unlikely cohort. Together, they help solve a spooky mystery and surprise everyone when the two of them capture the mastermind behind it all. Olivia keeps busy on a road trip to Texas. She saves a child after a frightening accident, squeals on a pair of thieves, uncovers an awful small town secret, and tries to tame a herd of out-of-control goats. She also helps a young woman keep from making a painful mistake.
You can find Giddy-Up Olivia on Patricia’s website and on Amazon.com.
About the materials for the cover illustration
I use a self-prepared two-ply illustration board with a very fine surface texture to hold the pastel, and also be able to use other media. It’s not entirely opaque so I can put it on my light table and trace the details in place. I initially started out with a sketch in watercolor but I’ve been using my brush markers more often to block in the colors and especially the dark areas; the markers are alcohol based and don’t cause as much ripple in the paper and have cleaner edges than watercolors. Then I put it on my easel and finish it with my pastels, a mix soft pastels and pastel pencils especially for details.
Getting all the details just right on an illustration like these book covers can be tricky when they are small. Depending on the detail in the illustration, I work them almost twice the final size of the cover—the cover is 5″ x 8″ and I work at 9″ x 12″.
Other illustration materials I’ve used
I don’t use paper for most of these illustrations but chose Ampersand brand Pastelbord, which is a piece of Masonite with a very fine clay and marble-dust coating that has very little texture but holds layers of pastel so I can both do my finger-painting thing with blending softer pastels and sketch with harder pastels and pastel pencils, and it stands up well to multiple changes. I began the painting with soft pastels to cover the major areas with layers of color. I finished up the details and edges with pastel pencils.
But once I began working out the covers with all this Victorian detail like PAWSitively Sinister, I needed a little assistance in keeping the details in order so it didn’t take me until next year to do the painting. Especially when working with patterns it’s important nothing is out of place or it’s immediately noticeable. I start with a complete composite that I’ve built in Photoshop using all the photos and images and art so that Patricia can see just what it will look like, and I have all the details in place. It’s far more difficult to correct an illustration than a Photoshop composite, which I can adjust infinitely. That way, when I get to my actual painting, all the decisions have been made and I just need to paint.
I use a self-prepared two-ply illustration board with a very fine surface texture to hold the pastel, and also be able to use other media. It’s not entirely opaque so I can put it on my light table and trace the details in place. I start out with a sketch in watercolor and even marker to block in the colors and especially the dark areas. Then I put it on my table and finish it with my pastels, first the soft pastels for coverage, then pastel pencils for details.
Depending on the detail in the illustration, I work them sometimes twice the final size of the cover. Getting all the details just right on an illustration like these book covers can be tricky when they are small. The books are 5″ x 8″, but this illustration was 10″ x 16″, which helped me to paint in all the leaves and details of the bark.
About these book covers
I’ve illustrated over 70 covers for Patricia over two series of cat mysteries. Rather than list them all here, you can explore the category Book Cover.
Klepto Cat Book Covers
CWA 2018 Muse Medallion AND Certificate of Excellence for “Illustration: Series”
Illustration: Series, Klepto Cat Covers 27 through 32
MUSE™ Medallion and Certificate of Excellence
Patricia publishes about six books each year and I’ve entered the covers since 2015. I’ve won a Certificate of Excellence each year, and often won a MUSE™ Medallion too.
2015, 2016, 2017, 2018, 2019, 2021
Click the links above to see the other awards.
All books are available in electronic format and most for print on Amazon.com as well as find the print versions on Patricia’s website. Reviews have been good, and a few reviewers have even mentioned the covers! I hope you enjoy these books, and Patricia and I are currently working on the next cover. That woman can write!
When we finished book 12 we also updated the two-sided bookmark that includes all twelve books so far which Patricia can hand out at book signings and book shows.
We’ve also printed several runs of note cards from multiple covers, including a Christmas series.
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Read more about book covers I’ve designed. Also, click here to read more about the Purrs of Wisdom cover and bookmarks, and also about books I’ve designed on my blog, What’s New?
Are you interested in illustrations or a book cover, or book design? Please contact me, I’ll be happy to discuss your project.
Each week on Wednesday I feature a piece of artwork, sometimes a current or historic portrait, sometimes an illustration or an art project from years ago, usually cat-themed, but sometimes wildlife or even non-animal subjects, and even projects from my commercial art life. Read other Featured Artwork posts.
Custom Commissioned Artwork and Illustrations from Portraits of Animals
From Animal Portraits to Book Covers to Advertisements
In addition to creating commissioned portraits beloved animal companions for the past 25 years, I’ve also been a commercial artist since the 1980s both full-time and freelance and created many illustrations, book covers, advertisements, display signs and more. Visit my Commissioned Artwork pages to read more. They are not quite complete at the moment but there is still quite a bit to look at.
All images and text used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission, although links to your site are more than welcome and are shared. Please ask if you are interested in using and image or story in a print or internet publication. If you are interested in purchasing a print of an image or a product including it, check my animal and nature website Portraits of Animals to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.
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Weekly schedule of features:
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Tuesday: Rescue Stories
Wednesday: Commissioned Portrait or Featured Artwork
Thursday: New Merchandise
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Saturday: Your Backyard Wildlife Habitat, Living Green With Pets, Creating With Cats
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