The two main reasons I decided to go ahead and start pet blogging was to give myself another place to share my writing, and an easier, more interactive way to share my artwork, especially commissioned portraits. I was working on Lassie’s portrait when I initiated The Creative Cat, so she was the very first portrait-in-progress I featured back in the spring of 2009. Recently I visited some of the places I used as reference photos for her portrait, in the same season, late summer, all those greens and bright sun, and the trees still lush, and this portrait all came back to me. Because I didn’t quite do her justice in those early days of blogging, and I haven’t featured a dog portrait for a while, here is Lassie again, with larger images and more detail this time.
One note about the images of the portrait you see here is that Lassie kind of looks like she is pasted into a landscape. That’s not actually how the portrait looked, it’s how my photos of the portrait turned out. There is so much contrast between her and the grass that all the detail in her white and tan areas flashed out. Today I know how to handle that with both settings and new editing tools, but at that time I didn’t. I would never have considered the portrait completed if it had looked like this, and I’m sure her person would have said something too!
From the time I was little I loved collies, partly because of the TV show “Lassie”—that was in black and white and a tiny image and even then I wasn’t a TV watcher—even better, a neighbor had two lovely, friendly collies, and I could never get enough of petting all that silky hair and running my hand down those long narrow noses, and getting face licks. Yes, me, the cat person, but I was lucky to have a cat and knew a dog was out of the question, so I enjoyed everyone’s dog who was in any way friendly.
Lassie was with her mom for 15 years and had just passed when her mom first called me. She was in nursing school and would graduate in the spring, and would like Lassie’s portrait for her graduation when family would be in town, because Lassie had lived with the family before her person left for school and was beloved by them all. A very special collie I could see by all her photos, the two of them side by side from childhood, into the college years and off to a new city.
Her person knew all the details of Lassie’s personality that were most important to her, but most important was Lassie’s head tilt, and that certain knowing expression of communication were most important. This face is the expressive, intelligent face her mom always remembered, when Lassie knew just what she was thinking.
Lassie’s mom decided she wanted to remember Lassie in the outdoors so the portrait would have a scenic background, and its final shape would be determined by the scene. She didn’t have a photo of a favorite place, but they both enjoyed visiting parks and trails, not at all an uncommon request for a canine portrait. From looking over the photos I was provided I could see that I had plenty of photos of places like the ones they’d visited. I began designing with autumn backgrounds; colorful and familiar, they are very popular in canine portraits and I’ve added my autumn scenes to several other dog portraits (see Cassie and Tyler, Betts, and Pepe and Star, for instance).
However, Lassie kept blending into the background colors because her fur is primarily amber to brown, the same as the leaves we see, so I chose a late summer background of a rocky little stream and a row of trees in the background. The deep green of late summer grass shows off her fur to perfection and the glow of evening sun warms the scene. There was originally a tree in the near background, but I needed to get a little more detail on Lassie before I could find the best placement for the it so it won’t be distracting, and in the end we decided to leave it out.
Painting portraits of animals is fulfilling and enjoyable, but my other favorite subject is my local landscapes, the trails and woods and fields I’ve wandered since I was a child. Not only have I worked for years to learn my palette and techniques for fur and wet noses and the specifics of feline and canine eye color, but also for the trees and grass and rocks and water and even the quality of sunlight of my familiar surroundings here in western Pennsylvania. Here was a painting that would be exciting in both respects, a landscape, and an animal.
But whether the background be autumn leaves or summer sun or snow or a grassy field, it still had to work as the backdrop to Lassie, and to the memories her human had of the times they’d spent together.
Here is a detail of the strip of woods from the top of the painting.
I thought I’d include a progress photo where the background is half done, moving from left to right, and Lassie will need her last details done, but that will be after the background is completed. Working in pastel, the colors dust over each other, especially with heavy coverage like this background and the contrasting colors.
In addition, here are two detail areas that I particularly like, the rocks on the left, and the rocks and grass on the right; while the evening sun shone across at a low angle, the clear blue sky reflected blue straight down onto the wet rocks and rippling water.
While the original portrait may look completely detailed in Lassie and in the landscape, a close-up look shows that many of the details are literally sketchy, just soft indications of light and shadow that when viewed together appear as they should.
By “prepared board” I mean one of the drawing surfaces I’d prepared myself on illustration board. I typically use a heavy paper that has a surface of fine grit applied much like sandpaper. In some cases I use heavy drawing paper or illustration board and apply one of the preparations I have on hand, various coarseness of grit sometimes mixed with gesso for texture or a pigment to give it color.
In this case it’s a more textured surface where I mixed the grit with gesso and blue drawing ink so it was tinted sky blue and brushed it on in horizontal strokes. You can see the strokes in some of the detail shots.
I often use a complementary color beneath a heavy coverage of another color, or to complement the overall tone of a painting. Pastel, like most media, is not entirely opaque, and the eye can perceive layers of color in a painting and mingle them in the same way it mingles the tiny dots in offset printing or in digital printing. If you look at blue and yellow separately they are simply individual colors, but if you put them side by side you can see that each color looks richer, brighter and darker or lighter than you originally perceived just by the visual influence of the other color. When my first portraits and paintings looked nice but kind of lifeless I suddenly understood what I’d learned about underpainting and gave it a try with the very next thing I painted in pastel, and that was indeed the final touch to giving life to one of my animal subjects. Layering the color complement underneath in this way gives the portrait more depth and dimension. Because this portrait is primarily in warm yellowish tones I used the complementary shade of blue to enliven all that yellow and yellow green, and the amber and orange tones in Lassie’s fur, and red under the grass.
Also, “Borzois”, a Favorite Portrait of Two Dogs, Goes to a Loving Home
After 20 years, this painting of two rescued borzois finally went home with a loving owner. You may remember reading about this portrait here a couple of years ago, the one where I had two really good ideas and the the owner got to choose which one she wanted, I got to keep the other. I can’t keep everything, and I love to see my art being cherished in another home, just the same as I do the cats I foster. I thought I’d update on it. I posted about it on Portraits of Animals.
I also feature artwork which has not been commissioned, especially my paintings of my own cats. If you’d like to read more about artwork as I develop it, about my current portraits and art assignments and even historic portraits and paintings, I feature commissioned portrait or other piece of artwork on Wednesday. Choose the categories featured artwork.
Take a look at other portraits and read other stories
Read articles on The Creative Cat featuring current and past commissioned portraits.
Read about how I create commissioned portraits.
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Visit my website to see portraits of my cats, commissioned cats, commissioned dogs, people and a demonstration of how I put a portrait together from photos.
Download a Brochure
My brochure is an 8.5″ x 11″ two-page full-color PDF that half-folds when it’s all printed out, showing examples of portraits with an explanation of my process and basic costs.
Purchase a Gift Certificate
I offer gift certificates for portraits in any denomination beginning at $50.00, which is the basic cost of a small monochromatic portrait.
The certificate itself is 8.5″ x 11″ and features a collage of portrait images with the recipient’s and giver’s names, printed on parchment cover stock. The whole thing is packaged in a pocket folder and includes a brochure, a letter from me to the recipient and several business cards.The certificate package can be easily mailed or wrapped as a gift and shipped directly to your recipient.
I can also make it downloadable if you’re in a hurry.
Certificates are good for up to one year after issue.
You can purchase gift certificates here or from Portraits of Animals if you are also purchasing other animal-inspired merchandise.
I prefer to look over the work and price the portrait according to how much work will go into it, as described above, but you can either set a budget or get started by purchasing a certificate for yourself or as a gift.
How to Order
- “Certificate A” is for a minimum-size 8 x 10 black and white or monochromatic portrait with one subject.
- “Certificate B” is for a minimum-size 8 x 10 color portrait with one subject.
- Choose “A” or “B” depending on whether your portrait is black and white or color.
- If your portrait will be larger or have more subjects, add $50 or $100 or more to your certificate value with the drop-down below.
CERTIFICATE A $50.00
- Size: 8 x 10
- Subjects: One
- Color: black and white media such as charcoal, pencil, ink, or monochromatic media such as one color of pastel, watercolor, colored pencil, etc.
- Background or objects: none but shading or colored paper
CERTIFICATE B $100.00
- Size: 8 x 10
- Subjects: One
- Color: full color media such as pastel, watercolor, colored pencil, etc.
- Background or objects: none but a color or colored paper
Add to your certificate purchase
You can use the second drop down to add $50.00 or $100.00. For amounts over this we’d probably have a conversation and I can set up a custom certificate for your purchase.
You only need to enter an address if it is different from the address I’ll receive when you order. These are often surprise gifts and need to be shipped away from the home address to make sure they are a surprise.
Gifts featuring cats you know! Visit Portraits of Animals
Great Rescues Day Book:
Portraits, Rescue Stories, Holidays and Events, Essential Feline Information, All in One Book
Each month features one of my commissioned portraits of a feline or felines and their rescue story along with a kitty quote on the left page, and on the right page the month name with enough lines for all possible dates, with standard holidays and animal-themed observances and events. Great Rescues also includes a mini cat-care book illustrated with my drawings including information on finding strays or orphaned kittens, adopting for the first time or caring for a geriatric cat, a list of household toxins and toxic plants, or helping stray and feral cats and beginning with TNR.
Each book includes also 10 sheets of my “22 Cats” decorative notepaper with a collage of all the portraits in black and white so you can make your own notes or write special notes to friends.
The portraits in this book, collected as a series, won both a Certificate of Excellence and a Muse Medallion in the 2011 Cat Writers’ Association Annual Communication Contest, as well as the 22 Cats Notepaper mentioned below.
All images and text used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission, although links to your site are more than welcome and are shared. Please ask if you are interested in using and image or story in a print or internet publication. If you are interested in purchasing a print of an image or a product including it, check my animal and nature website Portraits of Animals to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.
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Weekly schedule of features:
Tuesday: Rescue Stories
Thursday: New Merchandise
And sometimes, I just throw my hands in the air and have fun!