A Great Rescue and Commissioned Portrait, and a Little Bit of Otherworldly Magic: I’ll Be Seeing You
CAN THE SUBJECT of a painting communicate through his image? One of the dearest stories from any of my portraits is the one of Cooper, a “first cat” who turned his people into rescuers but who left far too young though he was never far from the memories of his people and the other rescued felines in the house. When his best buddy Patches was ready to transition herself, she stepped up and touched Cooper’s face in the portrait. But first, he had some humans’ lives to change.
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Cooper had literally been born in a barn but was adopted to a friend of the farm owner who cared deeply for his barn cats including the occasional drop-offs and strays. Cooper lived happily with his mom for three years as she moved from Pittsburgh to Philadelphia and became engaged to a man who was dangerously allergic to cats. Though they tried treatments his reaction was life-threatening and she carefully began the process of finding a home for her precious Cooper. The same farmer put her in contact with Cooper’s eventual mom, who had recently divorced and bought a house but resisted the idea of a pet. On a trip to Philly for a conference she met Cooper, enjoyed the visit, but said no. After a week alone in her house, she called the woman back and said she needed Cooper’s company. Cooper was chauffeured back across the state to his new forever home.
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I usually keep in touch with the family for whom I’ve created a portrait. We’ve often done quite a bit of work determining the exact posture and scene for a portrait, gathering images and sometimes I paint purely from visualizing what my customer is describing. Also, nearly half my portraits have been memorials, created either after the animal has passed or around the time of its passing, and working out the details of the portrait include working through a certain portion of the family’s grief.
Besides that, we came together to do their portrait because we love animals, and that’s a natural friendship. I often hear news of the household, the arrivals of new animal companions and the passing of others, and stories of the household in general. In the months after I finished Cooper’s portrait, I received a call from his family to tell me the sad news that they had lost Patches to complications from polyps she had developed in one ear.
Patches and Cooper had been best buddies. Cooper had passed about a year before I painted his portrait, and when it was finished and we hung it over the couch, I met Patches and the other kitties they had rescued and adopted, inspired by their love of Cooper. Soon after, Patches showed signs of illness, but it took a number of tests to find the polyps. They were inoperable, and while her family eagerly tried a number of standard medical treatments as well as naturopathic treatments, all too soon she was losing her battle.
They told me that just days before Patches died, even though she was weak and declining quickly, one evening she climbed up on the back of the couch, sat up and gently touched the glass over Cooper’s face in the portrait, looked at him for a short while, then carefully got down.
“Was she saying, ‘There you are,’ or ‘I’m coming, I’ll see you soon,’ we don’t know,” they commented. “After that, she seemed to accept what was happening to her.”
Anyone who has lived with animals knows that they communicate with us as well as with each other, and that they experience the same range of emotions as we do, including love and grief.
When I create a piece of artwork, any subject, I not only work with the images I have and the medium I’ve chosen, but I also instill what I would be sensing if I was standing in that spot, and what I’m feeling about the subject, all as if I was experiencing it in that moment. When the subject is one of my animal portraits I also consider the relationship between the animal or animals and their family while I’m working, either through observation or from what they’ve related to me. In the end, I put away all the photos and put my heart into the finishing details, simply from intuition.
In the case of Cooper’s portrait, I had received a call from someone saying he had one photo of his girlfriend’s cat who had passed the previous year and he’d like to give her a portrait of him for the anniversary of his passing and her birthday, which were close—and also a little over a month away. It was possible to paint and finish, mat and frame a portrait in that time, but as I still worked a day job with a lot of variables I usually wouldn’t risk it, except that he had given the same photo to another artist who had not gotten the portrait done and still felt strongly that the portrait was what she needed to have.
This could be tricky—not only would I not be able to meet Cooper, nor would I be able to meet his person or see the household or have any other connection with my subject other than this one photo, and the portrait was fairly large, 22″ x 17″. But though he only had the one photo, he was generous with stories about Cooper and the household, and was very much emotionally invested in the project himself.
We did meet the deadline, and in that concentrated period I spent a good bit of time considering what he’d told me about Cooper and the household and made sure I painted it into the portrait.
Cooper is sitting on the railing on a second-story screened porch and you can see the back yard acreage, nice and simple, but for the fuchsia plant. I actually love to paint plants and flowers, and this painting would not be the same if it was only Cooper on the railing. The colors, the random shapes and placement of the flowers and just its simple beauty all add to Cooper’s gentle personality.
I know that spiritual depth was invested in the portrait itself, showing in a physical manner—I always say that I paint until my subjects look back at me—and perhaps in a spiritual manner as well, recognizable by both humans and animals. My families will tell me that, though I’ve often thought it was the confused musings of someone who stayed up too late and spent too much time alone with my painting.
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Here is Cooper’s page in Great Rescues Day Book
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And here is the quote for July:
As anyone who has ever been around a cat for any length of time well knows cats have enormous patience with the limitations of the human kind. ~ Cleveland Amory
. . . . . . .
Each family for whom I have created a portrait also has a continuing story and so much to tell, like this story of Patches and Cooper. This family has continued to rescue other cats, including Simon.
I had kept in touch with this couple for several years after the portrait was done, visiting their house on holidays and exchanging cards. In the years of taking care of my mother and brother I lost touch with many people, and these two were in that group, but losing touch doesn’t mean friends are gone forever. I began the original Great Rescues Calendar and Gift Book in the spring of 2011, just after my mother died; it was a project I’d originally envisioned in the late 90s and planned to begin when I began working at home in 2000, but family needs took precedence over such a project. But that spring, when I planned which portraits I wanted to use Cooper was undoubtedly among them and, knowing I’d have to rephotograph the portrait as well as simply say hello to the family, I dug out my box of old, old paperwork and called the number and heard the still-familiar voice of the man who had initially called me for Cooper’s portrait. We were immediately visiting once again. I always say this is one of the best gifts of my love of painting portraits of animals—meeting the animals and sharing their lives, and finding new friends I otherwise would never have known.
Also, read more about Great Rescues families, those who appear in each of the two volumes so far. I’ll be featuring one story each month corresponding with the portrait that appears in the book for that month. That means there are four extra, and I’ll slip those in when the story itself feels appropriate.
Read about other current Commissioned Portraits and Featured Artwork
I also feature artwork which has not been commissioned, especially my paintings of my own cats. If you’d like to read more about artwork as I develop it, about my current portraits and art assignments and even historic portraits and paintings, I feature commissioned portrait or other piece of artwork on Wednesday. Choose the categories featured artwork.
Take a look at other portraits and read other stories
Read articles on The Creative Cat featuring current and past commissioned portraits.
Read about how I create commissioned portraits.
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Visit my website to see portraits of my cats, commissioned cats, commissioned dogs, people and a demonstration of how I put a portrait together from photos.
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I offer gift certificates for portraits in any denomination beginning at $50.00, which is the basic cost of a small monochromatic portrait.
The certificate itself is 8.5″ x 11″ and features a collage of portrait images with the recipient’s and giver’s names, printed on parchment cover stock. The whole thing is packaged in a pocket folder and includes a brochure, a letter from me to the recipient and several business cards.The certificate package can be easily mailed or wrapped as a gift and shipped directly to your recipient.
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Certificates are good for up to one year after issue.
You can purchase gift certificates here or from Portraits of Animals if you are also purchasing other animal-inspired merchandise.
I prefer to look over the work and price the portrait according to how much work will go into it, as described above, but you can either set a budget or get started by purchasing a certificate for yourself or as a gift.
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- “Certificate A” is for a minimum-size 8 x 10 black and white or monochromatic portrait with one subject.
- “Certificate B” is for a minimum-size 8 x 10 color portrait with one subject.
- Choose “A” or “B” depending on whether your portrait is black and white or color.
- If your portrait will be larger or have more subjects, add $50 or $100 or more to your certificate value with the drop-down below.
CERTIFICATE A $50.00
- Size: 8 x 10
- Subjects: One
- Color: black and white media such as charcoal, pencil, ink, or monochromatic media such as one color of pastel, watercolor, colored pencil, etc.
- Background or objects: none but shading or colored paper
CERTIFICATE B $100.00
- Size: 8 x 10
- Subjects: One
- Color: full color media such as pastel, watercolor, colored pencil, etc.
- Background or objects: none but a color or colored paper
Add to your certificate purchase
You can use the second drop down to add $50.00 or $100.00. For amounts over this we’d probably have a conversation and I can set up a custom certificate for your purchase.
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Great Rescues Day Book:
Portraits, Rescue Stories, Holidays and Events, Essential Feline Information, All in One Book
Each month features one of my commissioned portraits of a feline or felines and their rescue story along with a kitty quote on the left page, and on the right page the month name with enough lines for all possible dates, with standard holidays and animal-themed observances and events. Great Rescues also includes a mini cat-care book illustrated with my drawings including information on finding strays or orphaned kittens, adopting for the first time or caring for a geriatric cat, a list of household toxins and toxic plants, or helping stray and feral cats and beginning with TNR.
Each book includes also 10 sheets of my “22 Cats” decorative notepaper with a collage of all the portraits in black and white so you can make your own notes or write special notes to friends.
The portraits in this book, collected as a series, won both a Certificate of Excellence and a Muse Medallion in the 2011 Cat Writers’ Association Annual Communication Contest, as well as the 22 Cats Notepaper mentioned below.
All images and text used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission, although links to your site are more than welcome and are shared. Please ask if you are interested in using and image or story in a print or internet publication. If you are interested in purchasing a print of an image or a product including it, check my animal and nature website Portraits of Animals to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.
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© 2022 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski
Weekly schedule of features:
Sunday: Essays, Pet Loss, Poetry, The Artist’s Life
Monday: Adoptable Cats, TNR & Shelters
Tuesday: Rescue Stories
Wednesday: Commissioned Portrait or Featured Artwork
Thursday: New Merchandise
Friday: Book Review, Health and Welfare, Advocacy
Saturday: Your Backyard Wildlife Habitat, Living Green With Pets, Creating With Cats
And sometimes, I just throw my hands in the air and have fun!
6 thoughts on “A Great Rescue and Commissioned Portrait, and a Little Bit of Otherworldly Magic: I’ll Be Seeing You”
I don’t know what it is but I was drawn to this painting and this post. There is something magical about it.
Cooper really felt the need to speak. I’m honored he chose his portrait so that he can always speak to his family.
the fushia in the background highlights cooper; not that he wouldn’t have without; but the
flowers bring him more front and center; great job with this piece B♥♥:)
For the one and only photo the woman’s boyfriend could swipe, it was a good one. I think Cooper planned the whole thing.
Our animal friends as so amazing to us humans; we think we are at the top of evolution, but we miss so much with that attitude! We are animals too, yet share love and friendship with so many beings.
There are means of communication that we have but have dismissed, yet they are there for us when we need them.