Thursday, March 28, 2024
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From the Lost Sketchbook, Sketches I Actually Used

pencil drawing of striped cat
Stanley’s Stripes, pencil © B.E. Kazmarski

Here is one of my favorites, “Stripes”, because those are his “racing stripes” down the back of his head; it’s my Stanley sleeping on a little bolster filled with buckwheat intended for me to use as a neck pillow. I think he liked the sound it made when he curled up on it and he practically glowed with contentment as he settled for his post-breakfast nap. I sketched this in one of his last three years of life when he slept long and deep, sometimes relaxing so much that he’d slide off the furniture. He was always vital, though, and a real character who I’ll never forget. I knew I’d frame this image for display at least and sell it as a print, and I also had it printed as a notecard, notepaper and memo pad in the “Feline Sketches” set. He’s a favorite as both a general purpose greeting cat and as a sympathy cat as some people have chosen this card to use for an animal sympathy card.

pencil sketch of a cat in a box
In the Box, pencil sketch © B.E.Kazmarski

And my other favorite from around the same time, “In the Box”, my Sophie, having stuffed herself into a box too small for her size, uses it as an observation point to watch out the door. Sophie was a little larger than average and had lots of fur, but she thought she was just a small cat. If I’m trying to accomplish something on my desk that I don’t necessarily want kitties walking across or through or knocking over or sitting on, I grab a handy box or two or more and set them near me. As if a magnet had pulled them there, each box I’ve set out will immediately have a cat in it. They tire of them, though and I’ll usually put them away. I don’t know how many months Sophie used this box, but it was falling apart by the time she finally tired of it and I recycled it. I knew I’d frame this image also and sell it as a print, and I also had it printed as a notecard, notepaper and memo pad in the “Feline Sketches” set.

pencil and watercolor sketch of a cat sleeping
Peaches Nap Spot, pencil and watercolor © B.E. Kazmarski

And this pencil sketch of Peaches with watercolor washes, “Peaches’ Nap Spot”, is the other that’s been framed, sold as a print and made into notecards. Dear little old Peaches in her pastel beauty, I just love how she sleeps in a circle. I’ll never know what is so inspiring about her, but I’m so glad she entered my life, even at the grand old age of 15. She’s still going strong four years later, and is the subject of many a sketch, painting and photo.

This is probably why the sketchbook was “lost”—I scanned or photographed several works in it and framed them, so it ended up in a cubbyhole in my upstairs workroom/studio instead of returning to my downstairs office/studio. Until I recently cleaned out and reorganized things upstairs, this was in a “safe” place. Don’t get the idea that my house is really big with all these upstairs and downstairs studios—it’s 15 ft. x 22 ft., and every room is involved in all I do! That includes the kitchen and bathroom, since that’s where I print items sometimes, dye fabrics, wash my brushes and even hang artwork for inspection sometimes. That’s why the sketchbook accidentally got “lost”, space is so tight that when I tucked it away I literally had to take apart a shelf for books and art supplies to see it in the stack.

Bernadette

From health and welfare to rescue and adoption stories, advocacy and art, factual articles and fictional stories, "The Creative Cat" offers both visual and verbal education and entertainment about cats for people who love cats, pets and animals of all species.

2 thoughts on “From the Lost Sketchbook, Sketches I Actually Used

  • Susan Stoltz

    You have such a good eye for interesting cat poses. They all have a wonderful quality – loose and not fussy, which I love and express so beautifully the whimsy and beauty of cats!

    Reply
    • Thank you, and that comes full circle to the “other” value of these sketches, in that I need to awaken my creative sensibilities before I begin work each day, kind of like a stretch and yawn and coffee. The whole process of seeing the moment, choosing the easy, familiar medium and rendering quickly is like warm up exercises for both my physical and intellectual creative tools–eyes, hands, brain, intuition, all that goes into working as a creative person. And I owe it all to the greatest inspirations I’ve ever known!

      Reply

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