Mimi enjoys the warmth of the sun on her one side, and the reflection of it from the cabinet on her other.
I really liked this as an ink sketch and almost left it with just Mimi, but when I had looked at Mimi in this very spot I envisioned an ink drawing with watercolor washes. I began the sketch on watercolor paper, and so I finished it. I like it just as much.
This has both deep shadows and bright highlights, and both direct and reflected light, a challenge for me in ink, for sure! But while Mimi did move her head to face front, look up at me and look behind herself, she sat for long enough for me to get the light and shadow on her torso sketched in with pen, then a bit of watercolor pencil scribbled on top.
When I begin with a new medium I often visualize in it for days as I grow accustomed to it, so I’m not surprised to have two sketches in a row in the same medium and style, after yesterday’s Kelly on the Windowsill. I am growing accustomed to these watercolor pencils, though I think I’m going to allow myself a wider brush than the No. 4 round to see how it dissolves and spreads the paint from my sketchy pencil lines.
I absolutely love drawing in ink, though I’m constantly disappointed in the pens I can get now, the marker style. They are so easy to use, but I seem to wear the tip dry and need to give it a break every minute or so, and I don’t like to stop in the middle of a sketch to wait for the pen to resaturate. I solved it here by having several pens on hand in the same sizes. I have various fountain-style technical pens but I don’t leave ink in them and I don’t think Mimi would sit still while I run upstairs and fill one or two. I also have dip-style pen nibs and bottles of ink, but that has its challenges outside of my studio. I’m going to find one of the fountain-style drawing pens I had looked into years ago, though the drawback of those is that sometimes the ink doesn’t dry quickly enough to watercolor on top of right away, as I do here.
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